sun 02/08/2015

Demetrios Matheou

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Bio
Demetrios Matheou is the film editor of theartsdesk. He's also the film critic for The Sunday Herald and a London correspondent for Indiewire. His writing has appeared in The Guardian and Observer, The Times and Sunday Times, The Independent on Sunday and Sight & Sound. He is the author of The Faber Book of New South American Cinema, and a contributor to Cinema: The Whole Story and Ten Bad Dates With De Niro. He is also a film programmer and has served on the juries of a number of international film festivals.

Articles by Demetrios Matheou

Maggie

We can’t seem to move these days without stumbling into the path of a zombie movie, making one wonder why walking dead with a penchant for fast food are suddenly so alluring.When George A Romero...

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Orson Welles: The Great Disruptor

No-one could joke about the tragic aspect of Orson Welles’s career, the fact that his inestimable promise had only been partially realised, better than Welles himself. Once, when asked about the...

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theartsdesk at the Edinburgh International Film Festival

It’s a big deal when a film festival unveils a new artistic director. After all, this is the person who leads the selection of often hundreds of films, thereby shaping the style and tone of the...

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The Burning

A group of gunmen are roaming the Argentine rainforest jungle, terrorising local farmers in order to obtain the rights to their land. One farmer follows an ancient custom, praying to spirits to send...

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Christopher Lee: A Career in Clips

Christopher Lee died this week, aged 93. It’s strange that an actor best known for horror films, for characters that were fiendish and diabolical, should be so cherished a part of the British...

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Only Angels Have Wings

Howard Hawks and Cary Grant made five films together. Bringing Up Baby, His Girl Friday, I Was A Male War Bride and Monkey Business were all screwball comedies, made by two of the genre’s leading...

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Clouds of Sils Maria

When Hollywood characters revisit their youth it tends to be through the school reunion, with generally trite results; how typical of a French filmmaker, and of the cerebral, cinephile Oliver Assayas...

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American Buffalo, Wyndham's Theatre

From the great, gasp-inducing rush of colour when the curtain opens on American Buffalo to the embrace that closes it, this revival of David Mamet’s career-making rummage through the junkyard of the...

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Jauja

In the past decade or so the Argentine director Lisandro Alonso’s minimalist masterworks have earned him an ardent, if particular following. With Jauja he’s moved beyond his comfort zone, by using...

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Oppenheimer, RSC, Vaudeville Theatre

“Now I am become death, the destroyer of worlds.” J Robert Oppenheimer’s quotation from Hindu scripture is often used to signify the scientist’s rueful realisation, when it was too late, of what he...

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10 Questions for Filmmaker Damián Szifron

Nominated for Best Foreign Language film at this year’s Oscars, Wild Tales is that rarity, a portmanteau film; even rarer, it’s a good one. Though unconnected by plot or character, the six darkly...

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Antigone, Barbican

Last year the London stage was treated to an electrifying Medea and an intelligent, refreshing Electra, at The National and the Old Vic respectively. Now it’s the turn of the Barbican to unleash the...

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White Bird in a Blizzard

Adolescence, youth culture and rebellion – often luridly and violently expressed – are the stocks in trade of American director Gregg Araki, who has one of the most distinctive voices in US cinema....

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10 Questions for Filmmaker Desiree Akhavan

New filmmakers often suffer an unhelpful onslaught of comparisons and labels. Yet Desiree Akhavan offers so many options as to deflect all of them – counter measures against the heat-seeking missiles...

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The Philadelphia Story

Cynical writer Macaulay Connor (Jimmy Stewart) and pragmatic photographer Elizabeth Imbrie (Ruth Hussey) are the tabloid team charged with getting the undercover scoop on the society wedding of the...

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The Ruling Class, Trafalgar Studios

Now that the national self-delusion of the classless society has been laid to rest by the double whammy of economic crisis and the Cameron-Osborne-Johnson era of Bullingdon Club governance, it would...

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How to contact Demetrios Matheou

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