fri 24/10/2014

Demetrios Matheou

demetrios.matheou

Demetrios Matheou's picture
Bio
Demetrios Matheou is the film critic for The Sunday Herald. His writing has appeared in The Guardian and Observer, The Times and Sunday Times, The Independent on Sunday and Sight & Sound. He is the author of The Faber Book of New South American Cinema, and a contributor to Cinema: The Whole Story and Ten Bad Dates With De Niro. He is also a film programmer and has served on the juries of a number of international film festivals.

Articles by Demetrios Matheou

LFF 2014: Wild Tales

Argentine cinema is best known for its serious side – finely-honed arthouse fare from the likes of Lucrecia Martel, Pablo Trapero and Lisandro Alonso. But the Argentines can do mainstream very well....

Read more...

LFF 2014: Camp X-Ray

What can another film about American malfeasance in its War on Terror add to our knowledge and disapproval? Camp X-Ray has too narrow a scope to offer much; yet it’s impossible not to be affected by...

Read more...

Electra, Old Vic

As revered as the Greek tragedies may be, I have to admit to feeling a little weary of all that conspicuous, over-ripe angst, and the expectation of our sympathy, even empathy for matricides,...

Read more...

The James Plays, National Theatre

Rona Munro’s trilogy of plays about Scotland’s Stuart kings premiered at the Edinburgh Festival when Scottish independence was, for many, still a cherished possibility; it transfers to London –...

Read more...

A Most Wanted Man

Other films have been and still will be released featuring Philip Seymour Hoffman, since his death earlier this year. But A Most Wanted Man is the one that serves as the final testament to what’s...

Read more...

True West, Tricycle Theatre

Time doesn’t take any of the edge off Sam Shepard’s rollicking reflection on the dichotomy of America, the tussle between the myth and the dream, represented by two warring brothers trapped with an...

Read more...

God's Pocket

Now that the shock and dismay over Philip Seymour Hoffman’s death has subsided, we have the chance to see his final performances and recall an actor like few others. I can’t think of many who managed...

Read more...

A Streetcar Named Desire, Young Vic

The latest production of Tennessee Williams’s sultry, brutal yet poetic masterpiece is mainstream theatre that dares to go out on a limb. Directed by Benedict Andrews, it may occasionally miss a beat...

Read more...

Richard III, Trafalgar Studios

Imagine Dr Watson trying his hand at Moriarty? That’s not the challenge of this Richard III, but the exciting prospect instead is to see an actor usually called upon to be the sidekick and nice guy...

Read more...

Camille Claudel 1915

Camille Claudel was not only Rodin’s student, mistress and muse, but a talented sculptor in her own right. Some years after the two parted, her mental health started to decline. In 1913 her family...

Read more...

Fathers and Sons, Donmar Warehouse

Brian Friel’s affinity with Russian writers, notably Chekhov and Turgenev, is central to his work, the playwright seeing similarities between their tragi-comic characters, hanging onto “old...

Read more...

A Thousand Times Good Night

Juliette Binoche gives a powerful performance at the heart of a thought-provoking, very topical drama, whose flaws reflect its difficult subject matter.The Frenchwoman plays Rebecca, a highly-rated...

Read more...

theartsdesk in Panama: Hubris, suffering and cinema

The contradictions and iniquities of Panama City were very much in evidence last week. The city opened Central America’s first subway system, which many claim is a $2billion folie de grandeur for...

Read more...

Fatal Attraction, Theatre Royal Haymarket

Just before the curtain came up for the second half of Fatal Attraction, a chap sitting behind me told his companion, “All I remember is that it ends quite badly.” It may seem like a cheap shot, from...

Read more...

Salvo

Given the world’s most famous crime organisation hails from Italy, it’s odd that we associate the best crime movies with elsewhere, notably Hollywood (not least its quintessential Mafia films, The...

Read more...

Q&A Special: Stranger by the Lake

Stranger by the Lake is something of a wonder, a superbly made amalgam of Hitchcockian psychological thriller and explicit homoerotica, whose very presence in commercial cinemas defies convention....

Read more...

How to contact Demetrios Matheou