sat 13/02/2016

Demetrios Matheou

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Bio
Demetrios Matheou is the film editor of theartsdesk. He's also the film critic for The Sunday Herald and a London correspondent for Indiewire. His writing has appeared in The Guardian and Observer, The Times and Sunday Times, The Independent on Sunday and Sight & Sound. He is the author of The Faber Book of New South American Cinema, and a contributor to Cinema: The Whole Story and Ten Bad Dates With De Niro. He is also a film programmer and has served on the juries of a number of international film festivals.

Articles by Demetrios Matheou

Listed: Forget the Force

Next week the seventh episode of George Lucas's famed space saga will be released on a wave of hype and eager anticipation. Star Wars: The Force Awakens no longer has Lucas at the helm, the man with...

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Victor Frankenstein

Television has been quite obsessed of late with reinterpreting horror myths, whether it’s Penny Dreadful’s gothic melange of vampires, werewolves and man-made monsters, Jekyll & Hyde, or The...

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Carol

New York, in the early 1950s. Twenty-something Therese Belivet is working in a Manhattan department store at Christmas, wearing a Santa hat and dutifully trying to overcome her boredom. Then Carol...

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The Lobster

Yorgos Lanthimos is the director who reinvigorated Greek cinema with his dark, absurdist films Dogtooth and Alps. His English-language debut is even more off the charts, yet also the most familiar;...

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Measure for Measure, Young Vic

If one definition of Shakespeare’s problem plays is that they can’t easily be categorised in the canon, being neither tragedy nor comedy, then that issue is swept aside by this radical Young Vic...

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10 Questions for Director Sarah Gavron

Director Sarah Gavron tends to make films with strong social content. Her TV movie This Little Life (2003) concerned a couple’s struggles after the premature birth of their son; her first feature...

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The Martian

How kind of the boffins at NASA to announce their spectacular discovery of water on Mars this week – giving a timely, real-science boost to the release of Ridley Scott’s The Martian. In truth, the...

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Life

In an age when film stars take selfies at the Oscars and photobomb other celebrities, and when the bashful have little control of their image saturating the internet, it may be hard to imagine a time...

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The Sting, Wilton's Music Hall

One of the oldest and most striking venues in London lends itself to immersive theatrical experiences. A few years ago the Victorian interior of Wilton’s Music Hall was infused with pre-show activity...

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Miss Julie

The television series Downton Abbey and Upstairs, Downstairs, along with Robert Atman’s film Gosford Park, notably illustrate the public’s continued fascination with the relation between masters,...

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The Wolfpack

A few months ago I saw a documentary called Ming of Harlem: Twenty-One Storeys in the Air, about a man who kept a tiger and an alligator as pets in his tiny New York apartment. It was a staggering...

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Manglehorn

When Al Pacino burst into the spotlight as Michael Corleone in The Godfather, his celebrated co-star was Marlon Brando, who for years had been giving eccentric performances and making a mockery of...

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theartsdesk at the New Horizons Film Festival

Wrocław is Poland’s fourth most populous city, once described as "The Venice of the North", due to its location on the River Oder, its tributaries and numerous bridges. That description is...

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Maggie

We can’t seem to move these days without stumbling into the path of a zombie movie, making one wonder why walking dead with a penchant for fast food are suddenly so alluring.When George A Romero...

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Orson Welles: The Great Disruptor

No-one could joke about the tragic aspect of Orson Welles’s career, the fact that his inestimable promise had only been partially realised, better than Welles himself. Once, when asked about the...

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theartsdesk at the Edinburgh International Film Festival

It’s a big deal when a film festival unveils a new artistic director. After all, this is the person who leads the selection of often hundreds of films, thereby shaping the style and tone of the...

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How to contact Demetrios Matheou

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Classical CDs Weekly: Beethoven, Martinů, Mompou

A great conductor bids farewell, luminous Czech orchestral music and deep t...

The Odyssey, Mark Bruce Company, Circomedia, Bristol

21st century Homer fizzes with energy but reaches too high

CD: Jack Garratt - Phase

2016's big pop hope is sonically adventurous but vocally tiresome

Nell Gwynn, Apollo Theatre

Rising star Gemma Arterton shines in West End outing for jolly Restoration...

The Easybeats to AC/DC: The Sound of Aussie Rock, BBC Four

The story of AC/DC's long way to the top was engaging, but too short

A Bigger Splash

Last tango in Pantelleria

"...como el musguito...", Pina Bausch, Sadler...

Tanztheater Wuppertal in choreographer's gentle last work

The End of Longing, Playhouse Theatre

The one where love conquers all in Matthew Perry's fatally artificial...

Mahler 3, Fink, Philharmonia, Hrůša, RFH

The biggest symphony is wholehearted but missing the bigger picture

Toast, Rose Theatre, Kingston

Richard Bean's ribald bakery comedy is proof of a gap year well spent