thu 25/04/2024

David Nice

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Bio
The classical music and opera editor of theartsdesk, David writes, lectures and broadcasts on music. A former music critic for The Guardian and The Sunday Correspondent, he has made regular appearances on BBC Radio 3, not least in the long-running series Building a Library. He has written short studies on Elgar, Richard Strauss, Stravinsky, Tchaikovsky and the history of opera, and is currently working on the second volume of his Prokofiev biography for Yale University Press. He runs two Zoom lecture series, Opera in Depth on Mondays and a symphonies course on Thursdays.

Articles By David Nice

Best of 2023: Classical music concerts

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Best of 2023: Opera

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theartsdesk in Ravenna - Riccardo Muti passes on a lifetime's operatic wisdom

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Michael Powell: a happy time with Bartók’s Bluebeard

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Daphne, Scottish Opera, Usher Hall, Edinburgh review - Strauss’s translucent hymn to nature

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Natalie Dessay, Philippe Cassard, Milton Court review - flashes of magic

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Rodelinda, The English Concert, Bicket, Saffron Hall review - perfect team helps us stay the long Handel course

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Odyssey: A Heroic Pantomime, Charles Court Opera, Jermyn Street Theatre review - topsy-turvy Homer

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The Dante Project, Royal Ballet review - brave but flawed take on the Divine Comedy returns

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Louise Alder & Friends, Wigmore Hall review - magic carpet rides with soprano, strings and woodwind

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Gazzaniga's Don Giovanni, Royal College of Music review - a modest one-acter overloaded

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Maestro review - the infinite variety of Leonard Bernstein

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Selaocoe, Schimpelsberger, LSO, Ward, Barbican review - force of nature crowns dance jamboree

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Jephtha, Royal Opera review - uncomfortable sacrifice oratorio not seismic enough

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theartsdesk at Wexford Festival Opera - four operas and a recital in one crazy day

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L'Allegro, il Penseroso ed il Moderato, Monteverdi Choir, EBS, Sousa, St Martin-in-the-Fields review - Handel at his most magical

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Ridout, Włoszczowska, Crawford, Lai, Posner, Wigmore Hall re...

Advice to young musicians, as given at several “how to market your career” seminars: don’t begin a biography with “one of the finest xxxs of his/...

Stephen review - a breathtakingly good first feature by a mu...

Stephen is the first feature film by multi-media artist Melanie Manchot and it’s the best debut film I’ve seen since Steve McQueen’s ...

Album: Mdou Moctar - Funeral for Justice

Despite its title, Mdou Moctar’s new album is no slow-paced mournful dirge. In fact, it is louder, faster and more overtly political than any of...

Blue Lights Series 2, BBC One review - still our best cop sh...

The first season of Blue Nights was so close to ...

Sabine Devieilhe, Mathieu Pordoy, Wigmore Hall review - ench...

Sabine Devieilhe, as with many other great sopranos, elicits much fan worship, with no less than three encores at her recent Wigmore Hall recital...

Jonn Elledge: A History of the World in 47 Borders review -...

In A History of the World in 47 Borders, Jonn Elledge takes an ostensibly dry subject – how maps and boundaries have shaped our world –...

DVD/Blu-Ray: Priscilla

There’s a scene in Priscilla where Elvis stands above his wife, who is scrambling to put her clothes in a suitcase. Priscilla has just...

Špaček, BBC Philharmonic, Bihlmaier, Bridgewater Hall, Manch...

Billed as a “Viennese Whirl”, this programme showed that there are different kinds of music that may be known to the orchestral canon as coming...

Banging Denmark, Finborough Theatre review - lively but conf...

What would happen if a notorious misogynist actually fell in love? With a glacial Danish librarian? And decided his best means of...

Album: Fred Hersch - Silent, Listening

The previous solo piano solo album from Fred Hersch, one of the world’s great...