thu 18/04/2024

David Kettle

Articles By David Kettle

Love, Cecil review - poignant, inspiring, and very sad

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Tabula Rasa, Traverse Theatre review - honest, compassionate, but not always convincing

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The Reagan Show review - engaging but frustrating

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Lammermuir Festival 2017 review - rich and deeply rewarding

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What Shadows, Royal Lyceum Theatre, Edinburgh review - compelling, urgent, unashamedly provocative

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Edinburgh Fringe 2017 review: Concerto for Comedian and Orchestra - gentle, old-fashioned humour

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Moon Dogs review - gritty, refreshing and very funny

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Edinburgh Festival 2017 review: Iestyn Davies, AAM - exquisite and enlightening

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Edinburgh Festival 2017 review: Verdi's Macbeth - exhilarating and overwhelming

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Edinburgh Festival 2017 reviews: Meet Me at Dawn / The Shape of the Pain / Wild Bore

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Edinburgh Festival 2017 review: Andreas Haefliger

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Edinburgh Fringe 2017 reviews: Pike St / Box Clever / Sugar Baby

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Edinburgh Festival 2017 review: The Divide

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Edinburgh Fringe 2017 reviews: Adam / Eve / Nassim

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Edinburgh Festival 2017 reviews: Rhinoceros / Flight

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David Lynch: The Art Life review - authentic and revealing

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latest in today

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

The Book of Clarence review - larky jaunt through biblical e...

The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...

Lisa Kaltenegger: Alien Earths review - a whole new world

Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...

Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...

All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...

An Actor Convalescing in Devon, Hampstead Theatre review - o...

One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...

First Persons: composers Colin Alexander and Héloïse Werner...

For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...

Album: Paraorchestra with Brett Anderson and Charles Hazlewo...

Death Songbook is, says Charles Hazlewood, founder, artistic director and conductor of Paraorchestra, an album of “music which is about...

Anthracite, Netflix review - murderous mysteries in the Fren...

Ludicrous plotting and a tangled skein of coincidences hold no terrors for the makers of this frequently baffling...