thu 28/03/2024

Christopher Lambton

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Bio
Christopher Lambton writes about music when he is not looking after woodland or chopping firewood

Articles By Christopher Lambton

The Miserly Knight / Mavra, Scottish Opera review - a bold double act in the heart of Scotland

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Grosvenor, SCO, Emelyanychev / Osborne, RSNO, Usher Hall, Edinburgh review - two orchestras in pursuit of innovation

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Kim, RSNO, Stockhammer, Usher Hall, Edinburgh review - bold programming survives a replacement

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Delepelaire, RSNO, Søndergård, Usher Hall, Edinburgh review - festive and magical

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Last Night of the Proms, BBC review - a feast of unusual morsels in a traditional wrapper

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Grosvenor, RSNO, Chan, Glasgow Royal Concert Hall online review - too big for the small screen

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Scottish Chamber Orchestra, Emelyanychev online review – versatile virtuosity from Edinburgh

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Così fan tutte, Scottish Opera online review - wit and deception in an empty theatre

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La bohème, Scottish Opera – pandemic Puccini

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Nixon in China, Scottish Opera - musical chatter, poetic banality

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Morison, RSNO, Järvi, Usher Hall, Edinburgh review – French romance

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Cargill, RSNO, Søndergård, Usher Hall, Edinburgh review - luscious opening to a rich season

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Edinburgh International Festival 2019: MacMillan birthday concerts - searing world premiere

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Edinburgh International Festival 2019: Colin Currie Group, BBCSSO, Dausgaard/DiDonato, NYO-USA, Pappano

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Edinburgh International Festival 2019: Mahler's 'Resurrection' Symphony, Los Angeles Philharmonic, Dudamel - detailed judgment day canvas

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Sampson, BBCSSO, Runnicles, Usher Hall, Edinburgh

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The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...

Album: Sum 41 - Heaven :x: Hell

Sum 41 honour their 27-year career with Heaven :x: Hell, a 20-track double album, due to be their final, without a single skip. Harking...

3 Body Problem, Netflix review - life, the universe and ever...

From Game of Thrones producers David Benioff and DB Weiss, in cahoots with Alexander Woo, 3 Body Problem is Netflix’s daring...

DVD/Blu-ray: Padre Pio

Faith and damnation frequently collide in Abel...