fri 29/03/2024

Boyd Tonkin

Articles By Boyd Tonkin

Frang, Bayerisches Staatsorchester, Jurowski, Barbican review - on the summit

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Aimard, Concerto Budapest SO, Keller, Cadogan Hall review - lords of the dance

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Prom 65: Bruckner's Eighth, BBCSO, Bychkov review - a friendly giant

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Prom 49: Schumann, Das Paradies und die Peri, LSO, Rattle review - knocking on heaven's door

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Prom 37: Schiff, Budapest Festival Orchestra, Fischer 1 review - landscapes and mindscapes

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Prom 16: Hallé, Elder review - a mighty Russian journey

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Semele, Glyndebourne review - the dark side of desire

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Prom 7: Urioste, BBC National Orchestra of Wales, Otaka review – old friends, new worlds

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L'Orfeo, Longborough Festival Opera review - landmark opera survives rock-star wedding and hospital soap

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Sinfonia of London, Wilson; Kolesnikov/Tsoy; Bozzini Quartet; Phantasm, Aldeburgh Festival review - new sounds for old

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Turangalîla-Symphonie, LSO, Rattle, Barbican review - a farewell night to remember

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Hansel and Gretel, Opera Holland Park review - the Great Grimm Bake-Off

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Bezuidenhout, The English Concert, St Martin-in-the-Fields review - Mozart spring-cleaned

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Budapest Festival Orchestra, Iván Fischer, RFH review - elegy and ecstasy

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Concerto 1700, L’Apothéose, St John's Smith Square review - rare Spanish treasures

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Bell, Dreisig, LPO, Gardner, RFH review - royal rifts, and uplifting Mahler

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Bach's Easter Oratorio, OAE, Whelan, QEH review – the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...

Schubert Piano Sonatas 4, Paul Lewis, Wigmore Hall review -...

“Death doesn’t scare me at all,” said my friend Christopher Hitchens during our last telephone conversation. “After all, it’s the only certainty...

Vossa Jazz 2024 review - Norwegian festival embraces William...

“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as...

First person: playwright Paul Grellong on keeping pace with...

I’m writing this in the lobby of the...