sat 20/04/2024

aleks sierz

aleks.sierz's picture
Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles By Aleks Sierz

Blue Mist, Royal Court review - authentic, but not entirely convincing

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Death of England: Closing Time, National Theatre review - thrillingly and abundantly alive

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Octopolis, Hampstead Theatre review - blue, blue, electric blue

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Operation Epsilon, Southwark Playhouse review - alternative Oppenheimer

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That Face, Orange Tree Theatre review - in-yer-face family drama

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A Mirror, Almeida Theatre review - unconvincing and contrived

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Cuckoo, Royal Court review - slow, superficial and unfunny

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Beneatha's Place, Young Vic review - strongly felt, but uneven

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When Winston Went to War with the Wireless, Donmar Warehouse review - lively, but messy

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The Swell, Orange Tree Theatre review - mind-bending romantic drama

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The Pillowman, Duke of York’s Theatre review - starry but slack

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All of It/Hope Has a Happy Meal, Royal Court review - surreal pleasures

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Dixon and Daughters, National Theatre review - cold discomfort harm

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Sea Creatures, Hampstead Theatre review - mysterious and allusive

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A Little Life, Harold Pinter Theatre review - unrelenting trauma

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Black Superhero, Royal Court review - ambitious, but messy

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latest in today

London Tide, National Theatre review - haunting moody river...

“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...

The Songs of Joni Mitchell, The Roundhouse review - fans (ol...

For most people’s 40th birthday celebrations, they might get a few...

Jonathan Pie, Duke of York's Theatre review - spoof pol...

If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...

Baby Reindeer, Netflix review - a misery memoir disturbingly...

Richard Gadd won an Edinburgh Comedy Award in 2016 with...

Machinal, The Old Vic review - note-perfect pity and terror

Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...

Fantastic Machine review - photography's story from one...

The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...

Simon Boccanegra, Hallé, Elder, Bridgewater Hall, Manchester...

If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...

All You Need Is Death review - a future folk horror classic

Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...

Album: Jonny Drop • Andrew Ashong - The Puzzle Dust

As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...

theartsdesk on Vinyl: Record Store Day Special 2024

Record Store Day is tomorrow! At theartsdesk on Vinyl...