fri 31/07/2015

Aleks Sierz

aleks.sierz

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Bio
Aleks is author of In-Yer-Face Theatre and Rewriting the Nation, co-editor of theatreVOICE website, and works as a journalist, broadcaster and theatre critic at large.

Articles by Aleks Sierz

Abyss, Arcola Theatre

Despite the age of austerity, London theatre is booming. Not just the West End, but Off-West End and the fringe as well. One sign of its health is its openness to Continental imports, especially to...

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Rules for Living, National Theatre

The seasonal family reunion play is a hardy perennial. Like the Christmas tree that must take its place on the stage, it is usually spiky, dry and decorated with glittering ornaments – as in...

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Trainspotting, King’s Head Theatre

Hey, it’s the 1990s – yet again. After high-profile revivals of contemporary classics, such as Patrick Marber’s Closer and Kevin Elyot’s My Night with Reg, here comes, from that edgy decade, a fringe...

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The Cutting of the Cloth, Southwark Playhouse

Nowadays, playwrights do their apprenticeships at university, studying drama. But, once upon a time, they had proper jobs before they started making theatre. Such is the case of the late Michael...

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Radiant Vermin, Soho Theatre

As their career progresses, playwrights face a real problem: should they please their fans by writing the same play, over and over again, or should they risk trying out new things? Polymath Philip...

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Game, Almeida Theatre

This venue is one of the coolest in London — and its regular audience is both trendy and well-heeled. In the foyer, you get jostled by a better class of person. For this immersive show, written by...

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Multitudes, Tricycle Theatre

Plays about Muslims in British theatre tend to open a door on a segregated community, a place cut off from the mainstream. But stories that show cultural conflict – between whites, Asians,...

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Closer, Donmar Warehouse

Political sleaze, arguments over Europe and fears for the NHS – sometimes it feels as if it’s the 1990s all over again. And, right on cue, theatre has been staging a whole shelfload of revivals...

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How To Hold Your Breath, Royal Court Theatre

Is there such a thing as New Writing Pure? By this I mean plays that not only have a really contemporary sense of character, plot and dialogue, but are also written in a distinctly individual...

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The Singing Stones, Arcola Theatre

Kay Adshead’s new play about the Arab Spring has a beguiling premise: to tell the human stories behind the headlines. We all remember the news footage of the Arab Spring in 2011, from Tunisia to...

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Dara, National Theatre

The history play has roots that go deep into our culture. We love to see stories that are kitted out in fancy dress, and long to savour a past that resonates with our present. In the case of Dara,...

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New Atlantis, The Crystal

The future is a bad place. Most of our predictions about climate change and the world’s resources seem to come from a mindset of mute despair. In New Atlantis – part of the Enlightenment Café...

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Islands, Bush Theatre

Sometimes the deadliest violence is silent. The publicity for Caroline Horton’s new absurdist satire, Islands, points out that Oxfam estimates that some $18.5 trillion is siphoned out of the world...

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Bull, Young Vic

Mike Bartlett is the most prolific and talented British playwright to emerge in the past decade. Not only has he created large-scale epics in a variety of styles — from the science-fiction fable...

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Donkey Heart, Trafalgar Studios

Can a country like Russia escape its history? In Moses Raine’s new play — transferring to the West End from the tiny Old Red Lion pub theatre where it was first seen in May 2014 — the answer seems to...

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Visitors, Bush Theatre

The Bush is on a roll. Under artistic director Madani Younis, audiences are up, new plays are flowing in and there are plans to build a permanent studio space. Having just staged Radar, its annual...

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How to contact Aleks Sierz

personal website
http://www.sierz.co.uk

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