mon 18/12/2017

adam sweeting

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Bio
Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One)

Articles By Adam Sweeting

Witnesses: A Frozen Death finale, BBC Four review - weirdo childbirth cult hits the buffers

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The Tunnel: Vengeance, Sky Atlantic review - entente not-so-cordiale

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Brigsby Bear review - the healing power of fantasy

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The Crown, Series 2, Netflix review - all our yesterdays, cunningly rewritten

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Witnesses: A Frozen Death, BBC Four review - plummeting temperatures in the Pas de Calais

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Ferrari: Race to Immortality review - death and glory in 1950s motor racing

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The Exorcist, Phoenix Theatre review - see the movie

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Strike Back, Series 6, Sky 1 review - more stories for boys

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Steely Dan / The Doobie Brothers, Bluesfest 2017 review - brilliant Dan, delicious Doobies

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Breathe review - heroic but airbrushed struggle against disability

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Gunpowder, BBC One review – death, horror, treason and a hint of farce

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George Michael: Freedom, Channel 4 review - just a supersized commercial?

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LFF 2017: Mindhunter / My Generation - Fincher comes to Netflix, Caine does Swinging London

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LFF 2017: Blade of the Immortal / Redoubtable - Samurai slasher versus the Nouvelle Vague

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Snowfall, BBC Two review - blizzard hits South Central

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LFF 2017: Journey's End review - classic play becomes cracking film

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latest in today

Agatha Christie's Crooked House, Channel 5 review - act...

Crooked House is being released as a film in various territories, but has already been shown on television in America and has now...

Christmas Oratorio, LPO, Jurowski, RFH review - right piece,...

Just when you can scarcely move for Messiahs, two Christmas Oratorios came along at once on Saturday night. That’s London...

Aladdin, Richmond Theatre review - great Dame, weak script

It's always good news when Christopher Biggins announces he's going to don false bosoms again to play a...

Coates, Tenebrae, Short, Kings Place review - effective meet...

This time of year lots of choirs give lots of Christmas concerts that are more or less the same: traditional repertoire perhaps sprinkled with a...

Albums of the Year 2017: Rising Appalachia - Alive

2017 has been a time of change if not turmoil, on both personal and political stratospheres. So the music of two sisters whose jam is made up...

Witnesses: A Frozen Death finale, BBC Four review - weirdo c...

It’s remarkable how pervasive the Scandi-noir formula has become, with its penchant for weird and perverted killers, labyrinthine plotting and...

Jenny Uglow: Mr Lear - A Life of Art and Nonsense review - a...

Jenny Uglow’s biography of Edward Lear (1812-1888) is a...

Zimerman, LSO, Rattle, Barbican review - a diverse Bernstein...

Leonard Bernstein is 100 already. Actually, he’s not – his centenary falls in 2018, but the...

Reissue CDs Weekly: Northern Soul's Classiest Rarities...

The title Northern Soul's Classiest Rarities Volume 6 suggests this 24-track compilation might be a rag-bag; a...

Star Wars: The Last Jedi - a bold new chapter

It’s impossible to view The Last Jedi independently from its predecessors. It’s the second instalment of the third trilogy of...