playwrights
Dixon and Daughters, National Theatre review - cold discomfort harmThursday, 27 April 2023
Men are bastards. Okay, not all of us, but enough to make the lives of millions of women a misery. This we know, but anyone who has any doubts might be educated by some of the horrific statistics of sexual assault and domestic violence in the... Read more... |
Sea Creatures, Hampstead Theatre review - mysterious and allusiveFriday, 07 April 2023
Is it possible to successfully challenge naturalism in British theatre today? At a time when audiences crave feelgood dramas, uplifting musicals and classic well-made plays, there is very little room for experimental writing.Still, the Downstairs... Read more... |
Further Than the Furthest Thing, Young Vic review - small island longingsSaturday, 18 March 2023
Some plays are instantly forgettable, others leave a tender fold in the memory. I well remember seeing Zinnie Harris’s evocatively titled Further Than the Furthest Thing in 2000, and marveling at its strange beauty and linguistic flair. Now revived... Read more... |
‘Stripping naked the process of making theatre’: Martin Crimp talks about his latest playMonday, 31 October 2022
The fictional world is our world, but at the same time it’s another place. We want our writers to invent interesting characters, gripping plots and to take us to unexpected places. We want them to delight us, and sometimes to fright us. We want to... Read more... |
The P Word, Bush Theatre review - persecution and prideSaturday, 17 September 2022
Britain is a divided nation, but one of the divisions that we don’t hear that much about is that between Pakistani gay men. Written by Waleed Akhtar (who also stars in this impressively heartfelt two-hander), The P Word is about the differences in... Read more... |
Silence, Donmar Warehouse review - documenting disasterThursday, 08 September 2022
Partition equals trauma. It cannot have escaped anyone’s attention that the British Empire’s solution to intractable problems in three of its most important colonies and mandates – namely Ireland, India and Palestine – was the divisive device of... Read more... |
Middle, National Theatre review - a bit of a muddleThursday, 05 May 2022
The traditional, and much derided, well-made play is meant to have a beginning, middle and end. Although playwright David Eldridge often writes in opposition to these outdate forms, his trilogy about relationships, which started in 2017 with the hit... Read more... |
Cock, Ambassadors Theatre review – brutal, bruising and brilliantTuesday, 15 March 2022
Mike Bartlett’s Cock invites suggestive comments, but the main thing about the play is that it has proved to be a magnet for star casting. Its original production at the Royal Court in 2009 starred Ben Whishaw, Andrew Scott and Katherine Parkinson.... Read more... |
First Person: Tim Walker on crossing over from critic to playwrightThursday, 24 February 2022
The divide between theatre critics and the theatrical profession has always been a chasm, but occasionally a wire has been thrown between the two and plucky or foolhardy individuals have attempted to traverse it. A three-times-unsuccessful applicant... Read more... |
The Glow, Royal Court review – bizarre, beautiful and breathtakingMonday, 31 January 2022
Bizarre. Breathtaking. Beautiful. I leave the Royal Court theatre with these Bs, as well as others such as bewitching and beguiling, buzzing in my mind. Alistair McDowall, whose previous plays include Pomona (2014) and X (2016), has created a mind-... Read more... |
Peggy For You, Hampstead Theatre review - comedic gold, and a splinter of ice, from Tamsin GreigTuesday, 21 December 2021
Was Peggy Ramsay a “woman out of time”? The celebrated London literary agent, who nurtured the talents of at least one generation of British playwrights, surely counted as a legend in her own lifetime (she died in 1991). Has she lasted beyond it?... Read more... |
Straight White Men, Southwark Playhouse review - an exciting Korean-American playwright arrives in the UKThursday, 18 November 2021
The Korean-American writer Young Jean Lee’s Straight White Men, currently enjoying its UK debut at Southwark Playhouse, is presented within a frame that cleverly and radically alters what’s inside it. That would be a sparkly prologue... Read more... |
