wed 19/06/2013

theatre reviews, news & interviews

The Cripple of Inishmaan, Noël Coward Theatre

Veronica Lee

Martin McDonagh's play, which premiered in 1997, here receives its first major revival as part of Michael Grandage's star-studded first season at the Noël Coward Theatre. It's a minor modern classic, full of the London Irish writer's trademark dark comedy and scabrous wit and, with its guying of Irish sentimentality and Ireland's obsession with the past, is a bravura postmodern reimagining of J M Synge's Playboy of the Western World, which is also set in the rugged Aran Islands off the west...

Casualties: the theatre of war

Ross Ericson

A few days ago I found myself sat in a Finsbury Park pub talking to a man who dismantled bombs for a living, who had completed two tours in Afghanistan fighting the unending war against Improvised Explosive Devices, and I will admit to being more than just a little nervous. You see, he had just read the script of my play Casualties.Casualties deals with the effect the pressures of fighting in Afghanistan have on the relationship between two members of a Counter IED team and the woman one of...

Hard Feelings, Finborough Theatre

Matt Wolf

Doug Lucie's signature spikiness remains intact, and then some, in the Defibrillator production of Hard Feelings, which is sure to pack out west...

Bracken Moor, Tricycle Theatre

Heather Neill

In Bracken Moor Alexi Kaye Campbell inhabits similar territory to J B Priestley, whose work he admires. Like his predecessor, Campbell combines...

theartsdesk Q&A: Songwriters Marc Shaiman and...

Jasper Rees

There is no formula for creating a hit musical. If there were, the history of the West End and Broadway would not be haunted by the many ghosts of...

The School For Scandal, Park Theatre

Veronica Lee

Broad revival of Sheridan's comic masterpiece

The Amen Corner, National Theatre

Carole Woddis

James Baldwin's seminal drama sings out anew on the South Bank

Six of the best: Theatre

theartsdesk

Shakespeare, Tennessee Williams and Mormons: a bit of everything in theartsdesk's tips

Sweet Bird of Youth, Old Vic Theatre

Sam Marlowe

Tennessee Williams' drama soars and Kim Cattrall shines in Marianne Elliott's superb production

Mission Drift, National Theatre

Aleks Sierz

New York’s TEAM stage an all-American musical epic that sadly drifts into the Nevada sands

Blair's Children, Cockpit Theatre

Carole Woddis

A withering new play about the PM's legacy from five authors

The Tiger Lillies, Southbank Centre

Tom Birchenough

The Big Voice of Martyn Jacques compels as madly, badly as ever

Dances of Death, Gate Theatre

David Nice

Michael Pennington terrifies as a manipulative demon in Strindbergian married hell

Trash Cuisine, Young Vic Theatre

Heather Neill

Belarus Free Theatre serve up food, spectacle - and torture

Rutherford & Son, St James Theatre

Veronica Lee

Gloom and doom in a tale of domestic and industrial strife

Strange Interlude, National Theatre

Sam Marlowe

Simon Godwin's production beautifully burnishes Eugene O'Neill's challenging work

Even Stillness Breathes Softly Against a Brick Wall, Soho Theatre

Aleks Sierz

New play examines the poverty of everyday life but lacks the courage of its own convictions

Race, Hampstead Theatre

Demetrios Matheou

David Mamet can't even make it to court in his short-changing legal drama

A Midsummer Night's Dream, Shakespeare's Globe

Alexandra Coghlan

The Globe serves up another summer fantasy of a comedy

Chimerica, Almeida Theatre

Sam Marlowe

Lucy Kirkwood's new thriller about culture and economics in the East and West dazzles

To Kill A Mockingbird, Regent’s Park Open Air Theatre

Demetrios Matheou

London ain't Alabama, but Harper Lee's attack on racial intolerance still resonates

Disgraced, Bush Theatre

Aleks Sierz

Pulitzer Prize-winning drama examines cultural identity with insight and intelligence

The Kite Runner, Theatre Royal Brighton

Bella Todd

A story-centric stage adaption of Khaled Hosseini's sentimental best-seller

Relatively Speaking, Wyndham's Theatre

Matt Wolf

Early Ayckbourn play fizzes anew 46 years on

Limbo, Southbank Centre

Jasper Rees

London Wonderground's erotic circus bumps and grinds

Say It With Flowers, Sherman Theatre, Cardiff

Gary Raymond

New play about tragic Welsh diva Dorothy Squires misses the real story

Bullet Catch, Spiegeltent, Brighton

Thomas H Green

The classic shock trick provides the core for a surprisingly philosophical show

The Victorian in the Wall, Royal Court Theatre Upstairs

Sam Marlowe

Will Adamsdale's new musical comedy-drama is touching, quirky and deliciously daft

Knee Deep, Theatre Royal, Brighton

Thomas H Green

Australian acrobatic circus troupe are truly thrilling

Footnote: a brief history of British theatre

London theatre is the oldest and most famous theatreland in the world, with more than 100 theatres offering shows ranging from new plays in the subsidised venues such as the National Theatre and Royal Court to mass popular hits such as The Lion King in the West End and influential experimental crucibles like the Bush and Almeida theatres. There's much cross-fertilisation with Broadway, with London productions transferring to New York, and leading Hollywood film actors coming to the West End to star in live theatre. In regional British theatre, the creative energy of theatres like Alan Ayckbourn's Stephen Joseph Theatre, Scarborough, the Bristol Old Vic and the Sheffield theatre hub add to the richness of the landscape, while the many town theatres host circling tours of popular farces, crime theatre and musicals.

lion_kingThe first permanent theatre, the Red Lion, was built in Queen Elizabeth I's time, in 1576 in Shoreditch; Shakespeare spent 20 years in London with the Lord Chamberlain's Men, mainly performing at The Theatre, also in Shoreditch. A century later under the merry Charles II the first "West End" theatre was built on what is now Theatre Royal Drury Lane, and Restoration theatre evolved with a strong injection of political wit from Irish playwrights Oliver Goldsmith and Richard Brinsley Sheridan. Catering for more populist tastes, Sadler's Wells theatre went up in 1765, and a lively mix of drama, comedy and working-class music-hall ensued. But by the mid-19th century London theatre was deplored for its low taste, its burlesque productions unfavourably contrasted with the aristocratic French theatre. Calls for a national theatre to do justice to Shakespeare resulted in the first "Shakespeare Memorial" theatre built in Stratford in 1879.

The Forties and Fifties saw a golden age of classic theatre, with Sir Laurence Olivier, Sir Ralph Richardson and Sir John Gielgud starring in world-acclaimed productions in the Old Vic company, and new British plays by Harold Pinter, John Osborne, Beckett and others erupting at the English Stage Company in the Royal Court. This momentum led in 1961 to the establishing of the Royal Shakespeare Company in Stratford, and in 1963 the launch of the National Theatre at The Old Vic, led by Olivier. In the late Sixties Britain broke the American stranglehold on large-scale modern musicals when Andrew Lloyd Webber and Tim Rice launched their brilliant careers with first Joseph and the Amazing Technicolor Dreamcoat and then Jesus Christ Superstar in 1970, and never looked back. The British modern original musical tradition led on to Les Misérables, The Lion King and most recently Matilda.

The Arts Desk brings you the fastest overnight reviews and ticket booking links for last night's openings, as well as the most thoughtful close-up interviews with major creative figures, actors and playwrights. Our critics include Matt Wolf, Aleks Sierz, Alexandra Coghlan, Veronica Lee, Sam Marlowe, Hilary Whitney and James Woodall.

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