Theatre Reviews
Trueman and the Arsonists, Roundhouse Studio review - new warnings in old lessonsTuesday, 31 October 2023
A dystopian present. Sirens ring out across the city. Firefighters rush to the wrong locations. A man insists on entry to a big house. Read more... |
Boy Parts, Soho Theatre review - not subversive enoughSaturday, 28 October 2023
We’ve all heard of the male gaze, but what about its subversion? Overturning masculine dominance is one of the themes of Boy Parts, the acclaimed debut novel by Eliza Clark, first published in 2020 and now adapted as a monologue for the stage by Gillian Greer. Read more... |
Manic Street Creature, Southwark Playhouse review - songs in the key of a traumatised lifeFriday, 27 October 2023
There’s an old-fashioned feel to the story at its outset: Young woman, guitar in hand, Northern accent announcing as much as it always did, who makes a new life in London, all the money going on a room in Camden. One recalls Georgy Girl or Darling, films that were very much of their time. Read more... |
Clyde's, Donmar Warehouse review - high-octane comedy with a soft-centreThursday, 26 October 2023
Lynn Nottage’s second London opening this year, the Donmar premiere of Clyde’s, is a comedy about a sandwich, the perfect sandwich. With just a little more punch to the plotting it would be another masterwork from this award-winning American playwright whose book for the musical MJ arrives on the West End next spring. Read more... |
Lyonesse, Harold Pinter Theatre review - a step backwards for #MeTooThursday, 26 October 2023
Penelope Skinner’s new play is one of the most eccentric things I’ve seen in a long time. It’s undoubtedly entertaining, with an engagingly bonkers attempt by Kristin Scott Thomas to navigate an almost impossible role, perched between victim, diva and madwoman, equally reminsicent of Norma Desmond and one of the posh recluses from Grey Gardens. Read more... |
The Confessions, National Theatre review - rich mix of the personal and the epicWednesday, 25 October 2023
How to describe Alexander Zeldin’s latest, The Confessions? It is almost a kitchen-sink drama, but also a picaresque trawl through the life of an Australian woman that’s verging on epic, spanning most of her 80 years. And it’s stirring stuff, alternately enraging, sad and very funny. Read more... |
Dear England, Prince Edward Theatre review - still a winner in its new West End homeSaturday, 21 October 2023
It was interesting, in the same week that the England football team trounced Italy 3-1 in a Euros qualifier, to see Dear England again, the National Theatre smash that has just embarked on a West End run at the Prince Edward Theatre. Read more... |
Portia Coughlan, Almeida Theatre review - atmospheric revival of Marina Carr's bleak 1996 dramaFriday, 20 October 2023
In 1994, the National Maternity Hospital in Dublin commissioned Marina Carr to write a play to celebrate its centenary. She walked the wards, met the new mothers, and wrote in a hospital study. Read more... |
The Flea, The Yard Theatre review - biting satire fails to stingThursday, 19 October 2023
A flea bites a rat which spooks a horse which kicks a man and… an empire falls? Read more... |
Meetings, Orange Tree Theatre review - three-hander that chews on big issuesThursday, 19 October 2023
Mustapha Matura’s 1981 play, Meetings, is still a knockout. Supply the characters with mobile phones and it could be set in the present day. Read more... |
Pages
Advertising feature
★★★★★
‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway
Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.
★★★★★
‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman
Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.
Book by 30 September and get tickets from £15*
with no booking fee.
latest in today
“He do the police in different voices.” If ever one phrase summed up a work of fiction, and the art of its writer, then surely it is this...
For most people’s 40th birthday celebrations, they might get a few...
The first photograph was taken nearly 200 years ago in France by Joseph Niépce, and the first picture of a person was taken in Paris by Louis...
If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...
Richard Gadd won an Edinburgh Comedy Award in 2016 with...
Virtuosity and a wildly beating heart are compatible in Richard Jones’s finely calibrated production of Renaissance woman Sophie Treadwell’s ...
If ever more evidence were needed of Sir Mark Elder’s untiring zest for exploration and love of the thrill of live opera performance, it was this...
Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...
As I sat down to write this review, the sun came out. It was a salutory reminder of the importance of context: where I’d previously thought “mmm,...
Record Store Day is tomorrow! At theartsdesk on Vinyl...