wed 22/05/2013

theatre reviews, news & interviews

Relatively Speaking, Wyndham's Theatre

Matt Wolf

The pronouns have it in Alan Ayckbourn's career-defining comedy of spiralling misunderstandings, which has arrived on the West End 46 years after first hinting at the formidable talent of a dramatist who could make of many an "it" and "she" a robustly funny study in two couples in varying degrees of crisis. Far nervier than its study in middle-class mirth at first lets on, Relatively Speaking hands Felicity Kendal her giddiest stage assignment in years, and she is well served by a Lindsay...

Limbo, Southbank Centre

Jasper Rees

Circus is a broad church these days. It can be housed on the street, a grand proscenium stage and all points in between. For this latest incendiary reinvention of the form, it makes its way back into an intimate big top where the residual DNA of circus’s regular trappings seem all to be in situ. There’s bendiness and balancing, aerobatics and good old trapezing, fire-eating (pictured below) and sword-swallowing. But before you book for the whole family, be aware that the whole shebang is...

Say It With Flowers, Sherman Theatre, Cardiff

Gary Raymond

There is a glaring irony in that a play about an all-consuming obsession with one thing (fame) has no real idea of what it itself is supposed to be....

Bullet Catch, Spiegeltent, Brighton

Thomas H Green

Magicians’ online forums are seething at Bullet Catch’s host and writer-director, the Scottish actor and magician Rob Drummond. This is because at...

The Victorian in the Wall, Royal Court Theatre...

Sam Marlowe

The past: it’s etched into the fabric not just of our lives, but of the architecture that surrounds us – the streets we tread, the buildings where we...

Knee Deep, Theatre Royal, Brighton

Thomas H Green

Australian acrobatic circus troupe are truly thrilling

These Shining Lives, Park Theatre

Demetrios Matheou

London's new theatre makes a thrilling debut, albeit with a play a little less shiny

Public Enemy, Young Vic

David Nice

The horrors of local politics still chime in Richard Jones's queasy production of an Ibsen masterpiece

The Match Box, Tricycle Theatre

Carole Woddis

Leanne Best excels in grievous solo play from Frank McGuinness

The Hothouse, Trafalgar Studios

Demetrios Matheou

The lunatics are running the asylum in an uproarious production of Pinter's play, starring Simon Russell Beale and John Simm

Six of the best: Theatre

theartsdesk

Shakespeare, Peter Nichols and Mormons: a bit of everything in theartsdesk's tips

Passion Play, Duke of York's Theatre

Sam Marlowe

David Leveaux directs Peter Nichols's devastating dissection of sexual betrayal

A Doll's House, Royal Exchange, Manchester

Philip Radcliffe

Ibsen in the round loses none of its power to cast a spell

Who was Dorothy Squires?

Johnny Tudor

As a new play about her opens, an old showbiz friend recalls a complicated diva

Praxis Makes Perfect, National Theatre Wales

Gary Raymond

Gruff Rhys and Boom Bip tell of the Italian publishers who rocked the Communist Party

Gutted, Theatre Royal Stratford East

Aleks Sierz

Rikki Beadle-Blair’s latest is rude, crude and fun — but also messy and exhausting

The Tempest, Shakespeare's Globe

Alexandra Coghlan

An ambiguous but magical production of Shakespeare's problem play

Fräulein Julie, Barbican Theatre

Aleks Sierz

Welcome back Katie Mitchell, with a radical new take on Strindberg’s passionate tale

Desperately Seeking the Exit: The Story of a West End Disaster

Peter Michael Marino

How a Madonna film mixed with Blondie's music sank, and gave birth to a one-man show

Desperate: How a disaster was born

Jasper Rees

From the archive, this piece from 2007 recalls how a flop musical was conceived in hope

Olivier Awards 2013: Many Shows Called, Few Chosen

Matt Wolf

Multiple trophies for a handful of shows meant many productions left the 2013 Oliviers empty-handed

The Resurrection of Conor McPherson

Jasper Rees

As The Weir is revived, the ghost of booze no longer haunts the Irish playwright's work

The Weir, Donmar Warehouse

Veronica Lee

Mesmerising revival of Conor McPherson's haunting play

Opinion: Is acting now just for the privileged?

Jasper Rees

How the dramatic arts are reacting to the Etonian insurgency

Tir Sir Gâr, Carmarthenshire County Museum

Gary Raymond

Admirable attempt to dramatise the anxieties of agriculture marred by artsy intervention

Othello, National Theatre

Sam Marlowe

Adrian Lester and Rory Kinnear are enormously compelling in Nicholas Hytner's absorbing production of Shakespeare's tragedy

Orpheus, Battersea Arts Centre

Sebastian Scotney

Delightful revamp of underworld myth with suave Parisian jazz guitarist

The Breadwinner, Orange Tree Theatre

Alexandra Coghlan

A prescient and alarmingly topical comedy from Somerset Maugham

The Life of Stuff, Theatre503

Sam Marlowe

This revival of Simon Donald's 1990s In-Yer-Face drama offers a snake's eye view of Edinburgh's underbelly

Footnote: a brief history of British theatre

London theatre is the oldest and most famous theatreland in the world, with more than 100 theatres offering shows ranging from new plays in the subsidised venues such as the National Theatre and Royal Court to mass popular hits such as The Lion King in the West End and influential experimental crucibles like the Bush and Almeida theatres. There's much cross-fertilisation with Broadway, with London productions transferring to New York, and leading Hollywood film actors coming to the West End to star in live theatre. In regional British theatre, the creative energy of theatres like Alan Ayckbourn's Stephen Joseph Theatre, Scarborough, the Bristol Old Vic and the Sheffield theatre hub add to the richness of the landscape, while the many town theatres host circling tours of popular farces, crime theatre and musicals.

lion_kingThe first permanent theatre, the Red Lion, was built in Queen Elizabeth I's time, in 1576 in Shoreditch; Shakespeare spent 20 years in London with the Lord Chamberlain's Men, mainly performing at The Theatre, also in Shoreditch. A century later under the merry Charles II the first "West End" theatre was built on what is now Theatre Royal Drury Lane, and Restoration theatre evolved with a strong injection of political wit from Irish playwrights Oliver Goldsmith and Richard Brinsley Sheridan. Catering for more populist tastes, Sadler's Wells theatre went up in 1765, and a lively mix of drama, comedy and working-class music-hall ensued. But by the mid-19th century London theatre was deplored for its low taste, its burlesque productions unfavourably contrasted with the aristocratic French theatre. Calls for a national theatre to do justice to Shakespeare resulted in the first "Shakespeare Memorial" theatre built in Stratford in 1879.

The Forties and Fifties saw a golden age of classic theatre, with Sir Laurence Olivier, Sir Ralph Richardson and Sir John Gielgud starring in world-acclaimed productions in the Old Vic company, and new British plays by Harold Pinter, John Osborne, Beckett and others erupting at the English Stage Company in the Royal Court. This momentum led in 1961 to the establishing of the Royal Shakespeare Company in Stratford, and in 1963 the launch of the National Theatre at The Old Vic, led by Olivier. In the late Sixties Britain broke the American stranglehold on large-scale modern musicals when Andrew Lloyd Webber and Tim Rice launched their brilliant careers with first Joseph and the Amazing Technicolor Dreamcoat and then Jesus Christ Superstar in 1970, and never looked back. The British modern original musical tradition led on to Les Misérables, The Lion King and most recently Matilda.

The Arts Desk brings you the fastest overnight reviews and ticket booking links for last night's openings, as well as the most thoughtful close-up interviews with major creative figures, actors and playwrights. Our critics include Matt Wolf, Aleks Sierz, Alexandra Coghlan, Veronica Lee, Sam Marlowe, Hilary Whitney and James Woodall.

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