I Am a Warehouse, Newhaven Fort, Brighton Festival Fringe | reviews, news & interviews
I Am a Warehouse, Newhaven Fort, Brighton Festival Fringe
I Am a Warehouse, Newhaven Fort, Brighton Festival Fringe
Drama about the destruction of a Gaza warehouse in an evocative setting
Saturday, 22 May 2010
Anna-Maria Nabirye taking on the role of the bombed Gaza warehouseMalcolm Crowthers
Just say "Gaza" and it's like throwing a bombshell marked "Darwin" in among the Creationists. Only in this case it's not always clear who the antagonists might be. Several seemingly liberal theatre venues in Israel, where this project originated as a clear statement of the UN Relief and Works Agency's humanitarian role, cancelled at the last minute; more recently, supposedly enlightened sponsors suddenly withdrew substantial support. None had seen or read the content. It seems that telling the plain tale of a warehouse destroyed is inflammatory stuff. Odd when the warehouse in question, the protagonist of this drama, goes out of its way to tell us that it takes no sides and holds no weapons.
Just say "Gaza" and it's like throwing a bombshell marked "Darwin" in among the Creationists. Only in this case it's not always clear who the antagonists might be. Several seemingly liberal theatre venues in Israel, where this project originated as a clear statement of the UN Relief and Works Agency's humanitarian role, cancelled at the last minute; more recently, supposedly enlightened sponsors suddenly withdrew substantial support. None had seen or read the content. It seems that telling the plain tale of a warehouse destroyed is inflammatory stuff. Odd when the warehouse in question, the protagonist of this drama, goes out of its way to tell us that it takes no sides and holds no weapons.
more Theatre
The Dream of a Ridiculous Man, Marylebone Theatre review - from Russia with love
Greg Hicks shines as Dostoevsky’s defiantly optimistic dreamer
MJ the Musical, Prince Edward Theatre review - glitzy jukebox musical with a superb star but a void inside
It's a great song and dance evening, but the story is an empty one
First Person: author-turned-actor Lydia Higman on a play that foregrounds a slice of forgotten history
'Gunter' co-creator and historian connects a 1604 witch hit to the world today
Foam, Finborough Theatre review - fascism and f*cking in a Gentlemen's Lavatory that proves short of gentlemen
Infamous neo-Nazi brought to life in compelling drama
First person: playwright Paul Grellong on keeping pace with American politics
The author of 'Power of Sail' sets the scene for his play's UK premiere
Faith Healer, Lyric Hammersmith review - Brian Friel's masterpiece works its magic again
Director Rachel O'Riordan finds lighter moments in a tale of grief
Red Pitch, @sohoplace review - the ebullient tale of teenage footballers gets a rollicking transfer
Focused on young life in south London, this hit is as energetic and joyful as ever
WAKE, National Stadium, Dublin review - a rainbow river of dance, song, and so much else
THISISPOPBABY serves up a joyous tapestry of Ireland contemporary and traditional
Harry Clarke, Ambassadors Theatre review - an entertaining curio
Billy Crudup essays multiple characters as a fake Englishman abroad
Uncle Vanya, Orange Tree Theatre review - Chekhov served up choice
Trevor Nunn, age 84, makes a blinding return to form
For Black Boys Who Have Considered Suicide When The Hue Gets Too Heavy, Garrick Theatre review - exhilarating, moving show makes West End return
Ryan Calais Cameron brilliantly uses storytelling, music and verse
The Lonely Londoners, Jermyn Street Theatre review - evocative portrait of the migrant experience
Roy Williams and Ebenezer Bamgboye skilfully bring Sam Selvon's novel to the stage
Add comment