Theatre, particularly tragedy, can pack a terrific punch when things are kept simple – even if the themes evoked are enfolded in layer upon layer of complexity.
Theatre, particularly tragedy, can pack a terrific punch when things are kept simple – even if the themes evoked are enfolded in layer upon layer of complexity. Brian Friel [3]’s Faith Healer, a play with three characters, each of whom takes to the stage alone, explores in a multifaceted way the life of an itinerant Irish healer who plies his trade along the backroads of the Celtic fringes of Britain.
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