The public works for free. That is the founding principal of modern broadcasting culture [3]. It phones radio stations with its air-filling thoughts on this and that. It monopolises Saturday nights on primetime in singing and dancing and plate-spinning.
The public works for free. That is the founding principal of modern broadcasting culture [3]. It phones radio stations with its air-filling thoughts on this and that. It monopolises Saturday nights on primetime in singing and dancing and plate-spinning. Until recently, it would sit in a house for weeks on end while we (in decreasing numbers) watched [4]. But the public as museum curators? That’s a new one.
Links
[1] https://theartsdesk.com/users/jasper-rees
[2] https://www.addtoany.com/share_save
[3] https://theartsdesk.com/tv/television-2000-9-reality-tv
[4] https://theartsdesk.com/tv/big-brother-channel-4
[5] https://theartsdesk.com/print/2353?page=0,1
[6] https://theartsdesk.com/visual-arts
[7] https://theartsdesk.com/topics/radio-4
[8] https://theartsdesk.com/topics/buzz
[9] https://theartsdesk.com/topics/london-galleries