CD: Eels – Wonderful, Glorious | New music reviews, news & interviews
CD: Eels – Wonderful, Glorious
Mark Everett returns and this time he comes out fighting
"Gonna shake the house," rasps Mark 'E' Everett on "Bombs Away". It is the first track of his tenth album and it certainly sounds like a statement of intent. Everett has often come across as something of a gloomy rock and roll runt in recent years, but this time around the worm appears to be turning and he ain't taking any cotton-pickin' nonsense any more.
It is pleasing to note that the lyrics definitely have a gutsy, defiant optimism about them, albeit alongside Everett's usual misery: "watching the death of my hopes", he sings on the Johnny Cash-tinged, countrified sob story "On the Ropes". But this is Everett fighting back against life's slings and arrows and heading for "The Turnaround", a deft piece of bayou blues with something of Robbie Robertson about it.
The music, played with taut-yet-supple aplomb by his new band, is no major departure from Everett's well-established mix of the modern and olde worlde Americana that has worked so well for him in the past. The aforementioned opening track is so deliciously demented it sounds like a Vic and Bob parody (in a good way), featuring everything from kazoos to moody organ, noirish guitar and a corncrake vocal that evokes Beefheart and Tom Waits. Elsewhere there are melodic echoes of everything from The Beatles to The Stranglers.
Everett always cuts a dash in the flesh, with a penchant for vintage clothes and eccentric accessories such as chunky cigars and walking sticks, and the best moments on Wonderful, Glorious has a similar panache, unashamedly retro but also distinctly offbeat. Proceedings conclude, typically perversely, with the perky title track, which suggests a brighter future for the singer. I hope for his own sake he does stay happy. Though if he succeeds I wonder whether he will still be as wonderfully, gloriously creative as this.
Watch the video for "New Alphabet" from Wonderful, Glorious
theartsdesk is changing
Thank you for continuing to read our work on theartsdesk.com. In September we reached our fourth birthday and feel that the time is now right, in line with other media outlets, to start asking our regular readers for a contribution to help us develop the site further. Theartsdesk has therefore moved to a partial subscription model. For unlimited access to every article in its entirety, including our archive of more than 7,000 pieces, we're asking for £2.95 per month or £25 per year. We feel it's a very good deal, and hope you do too.
Take an annual subscription now simply click here.
more New music
R Kelly's new album is certainly a nadir, but it's by no means the only awful album cover
The original American Idol gets theartsdesk's festive music roundup underway
Few answers from America’s one-man embodiment of the early Seventies
After decades in obscurity, the enigmatic California folkie makes her first ever European performance
Unpleasant R&B insight into a drearily atavistic masculine psyche
Erstwhile firebrand proves the political passions are smouldering with a new set of Americana-influenced songs
Britney on video: a saga of salacious self-objectification and hyper-kitsch
Songs for soundtracks from shoegaze-influenced Bristol five-piece
Presumably the last word on 'White Light/White Heat' and the definitive collection of Texan Sixties stars
New wave heritage show flavoured with some tasty treats
Brisk account of the development of America’s music lacks atmosphere
Despite Will.I.Am's presence the pop superstar's latest has its moments