thu 09/09/10
 
 
 
   
Items filtered by date: Monday, 05 July 2010

Storyville: Leaving the Cult, BBC Four

Monday, 05 July 2010 23:14
Joe, Sam and Bruce may be three callow teenagers from southern Utah but they’re still smart enough to realise that the only world they have ever known is wrong, deeply wrong. So wrong, in fact, that they make the hardest decision of their lives by leaving their family, friends and community behind forever, as this is the only way to escape the madness. Directors Tyler Measom and Jennilyn Merton deserve credit for being such invisible presences in a film which simply bears witness to the lives of the boys once they have escaped the sinister-sounding “crick”, a Fundamentalist Latter-Day Saints community fronted by "Prophet" Warren Jeffs - a man who is now serving 10 years to life for being an accomplice to rape, incest and sexual conduct with minors.

Identity, ITV1

Tuesday, 06 July 2010 00:30
Another new cop show? How marvellous! I feared the worst, hearing that this one was about a special unit set up by DSI Martha Lawson (Keeley Hawes) to combat the ever-growing threat of identity theft. It sounded rather po-faced and bureaucratic, frankly, but I’m pleased to report that it hasn’t turned out badly at all. It looks crisp and modern, it has a nifty commercial-but-edgy soundtrack by John Lunn, and it radiates the same vaguely transatlantic sheen that has lifted Spooks out of the parochial Brit-vision bracket.
Christophe Rousset - master harpsichordist, conductor and musical archeologist - was once described by the Guardian as "music's greatest mischief-maker". He took it as a compliment. In 1991 he founded the stunningly virtuosic period instrument group Les Talens Lyriques and together they have trawled the archives in search of the forgotten composers and forgotten repertoire of the 17th and 18th centuries - contemporaries of giants like Mozart and Handel who in their day were often more famous and more successful than the greats they inspired. Composers like Martin y Soler, Cimarosa, Jommelli, Traetta, and, of course, his compatriot Lully. In this exclusive audio podcast Rousset talks in his Paris apartment between performances of Handel's Semele.

I once sat in a rehearsal room in a brick-box theatre on the outskirts of Cape Town. The cast was warming up for Carmen. First, the choreographer put 40 mostly black South African singers through a gruelling physical warm-up. Opera singers are rarely slender, and they were all in a muck sweat by the time the vocal coach stepped forward to lead them through a vocal warm-up. But when they opened their mouths it was as if someone has strapped you to a chair in a wind tunnel. The noise was transforming, majestic, all-powerful. So I knew roughly what sound to expect in Singing for Life, a documentary about the miscegenation of the black township choral tradition and the white man’s most exclusive art form, opera.
       
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