A master of visual cinema, primus inter pares, Sergei Paradjanov was a law unto himself in Soviet cinema of the 1960-1980s; his body of work from the Caucasus in that period is as visually innovative and brightly colourful as anything in cinema. A “magician in cinema”, indeed. Paradjanov’s The Colour of Pomegranates is being reissued with very welcome and full additional commentary.