dance
First Person: Ten Years On - Flamenco guitarist Paco Peña pays tribute to his friend, the late, great Paco de LucíaSunday, 25 February 2024
There are moments that forever remain imprinted in our consciousness, engraved on the general map of our lives. I cannot forget the excitement of seeing snow for the first time in Córdoba, aged three or four, rushing to walk on it only to slip straight away and fall on my behind! Or when I discovered the sea, in Cádiz. Read more... |
First Person: pioneering juggler Sean Gandini reflects on how the spirit of Pina Bausch has infiltrated his workTuesday, 30 January 2024
I am a juggler. My wife Kati Ylä-Hokkala is also a juggler. Our life for the last three decades has been juggling. We have been fortunate to be practising this art form at a time when mathematical and creative developments meant that our vocabulary went from about 30 patterns to thousands. The Golden Age of juggling. Read more... |
First Person: Pulitzer Prize winning composer David Lang on the original Jewish love storyThursday, 12 October 2023
I wouldn’t say that I am super religious, but I am definitely religion-curious. It is a big part of my family background, and, to be honest, a big part of the history of my chosen field, Western classical music. For the past 1000 years, the church has been the most powerful commissioner of Western music, and its most active employer of musicians. Read more... |
Hunting legendary treasure with ballet's Indiana Jones - Pierre Lacotte 1932-2023Wednesday, 19 April 2023
As any archaeologist knows, digging up a sarcophagus is a nailbiting business. How small are the chances that inside the shredded linen wrappings will lie a recognisable body with some vestiges of its former life upon it? Read more... |
'You want to cry from loving to do it so much' - Lynn Seymour 1939-2023Wednesday, 15 March 2023
As a critic, I’ve rarely felt compelled to mourn publicly about an artist. Mourning goes somewhere beyond the usual sense of loss and gratitude when someone's death has been announced. But it's the only word when the departed is one of the very few individuals - or their songs or books or pictures - who get in your bloodstream, who get into your optic nerves or your inner ear, who magnify and sharpen your experience of being alive. Read more... |
Royal Opera House lullabies for Little AmalTuesday, 26 October 2021
“I want to tell her that people will be good,” Tewodros Aregawe of Phosphoros Theatre confided to us as Little Amal closed her eyes on the giant bed made up for her in the Paul Hamlyn Hall, “that all the people with kind eyes who have walked alongside her and listened to her story will be louder than those who wish she wasn’t there”. Read more... |
The Royal Ballet - variations on a comebackFriday, 16 April 2021
Like the British high street, the once richly diverse landscape of dance in the UK is likely to look very different once lockdown is fully lifted. There will be losses, noticeably among the smaller companies whose survival was always precarious. There will be downsizings. There will be painful gaps where a major talent has given up the fight, retired to run a flower shop or become a hill farmer. Read more... |
'She was Paris': RIP Zizi Jeanmaire (1924-2020)Wednesday, 22 July 2020
"You talk like Marlene Dietrich, you dance like Zizi Jeanmaire, your clothes are all made by Balmain, and there’s diamonds and pearls in your hair…" . Read more... |
'If they had been any closer my face would have misted up': filming 'Men at the Barre'Tuesday, 26 May 2020
“That’s Marcelino Sambé, he’s wonderful,” said the artistic administrator of the Royal Ballet as I followed her down one of the many corridors that weave throughout the Royal Opera House in Covent Garden. “He’s a newly promoted Principal, a very special talent indeed!” I looked over my shoulder at the figure disappearing through some doors. Read more... |
The deathless Alicia Alonso, in personFriday, 18 October 2019
The magnificent, controversial Cuban ballerina Alicia Alonso, who asserted that she would live to 200, died yesterday in Havana, aged nearly 99. Read more... |
Pages
latest in today
Baby Reindeer, Netflix review - a misery memoir disturbingly...
Richard Gadd won an Edinburgh Comedy Award in 2016 with...
All You Need Is Death review - a future folk horror classic
Music, when the singer’s voice dies away, vibrates in the memory. In the hypnotic new Irish horror film All You Need Is Death, those who...
Jonathan Pie, Duke of York's Theatre review - spoof pol...
If you don't like sweary comics – Jonathan Pie uses the c-word liberally – then this may not be the show for you. In fact if you're a Tory, ditto...
theartsdesk on Vinyl: Record Store Day Special 2024
Record Store Day is tomorrow! At theartsdesk on Vinyl...
The Book of Clarence review - larky jaunt through biblical e...
The Book of Clarence comes lumbered with the charge of being the new Life of Brian, an irreverent spoof of the life...
Lisa Kaltenegger: Alien Earths review - a whole new world
Our home planet orbits the medium-size star we call the Sun. There are unfathomably many more stars out there. We accepted that these are also...
Bell, Perahia, ASMF Chamber Ensemble, Wigmore Hall review -...
All three works in the second of this week’s Neville Marriner centenary concerts from the ensemble he founded vindicated their intention to reign...
An Actor Convalescing in Devon, Hampstead Theatre review - o...
One can often be made to feel old in the theatre. A hot take in a snappy 90 minutes (with video!) on the latest Gen Z obsession (...
First Persons: composers Colin Alexander and Héloïse Werner...
For tonight’s performance at Milton Court, the nuanced and delicate tones of strings, voices, harmonium and chamber organ will merge...