mon 25/09/2017

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David Nice
Monday, 25 September 2017
It’s official: Romanian master George Enescu’s four-act Greek epic lives and breathes as a work of transcendent genius. It took last year’s Royal Opera production to lead us...
Thomas H Green
Monday, 25 September 2017
September and October see a deluge of new releases. Everybody and their aunt puts out an album as autumn hits, so theartsdesk on Vinyl appears this month (and next) in a slightly...
Adam Sweeting
Sunday, 24 September 2017
Apparently this is the first time an Ian McEwan novel has been dramatised for television, but whether The Child in Time was the best choice for that singular honour is open to...
Boyd Tonkin
Sunday, 24 September 2017
Although he made his name with the generally upbeat grooves and licks of his Barrytown Trilogy, Roddy Doyle has often played Irish family and social life as a blues full of sorrow...
Kieron Tyler
Sunday, 24 September 2017
That this year is the 40th anniversary of 1977, the year punk rock went mainstream, shouldn’t obscure the pub rock foundations underpinning much of what was supposedly new. The...
Marina Vaizey
Sunday, 24 September 2017
The title says it all, or at least quite a lot. Luminously intelligent, an exceptionally hard worker, bilingual in French, a gifted biographer, Claire Tomalin has been at the...
Barney Harsent
Sunday, 24 September 2017
David Crosby might be entering life’s twilight but, like a tired drummer, he seems to be speeding up towards the end....
Tom Birchenough
Saturday, 23 September 2017
Hungarian director Ildiko Enyedi’s On Body and Soul (Testrol es lelekrol) opens on a scene of cold. It’s beautiful, a winter...
Marina Vaizey
Saturday, 23 September 2017
The Royal Academy has a winning line in spectacular exhibitions that have become essentials in London, theatrically and...
David Nice
Saturday, 23 September 2017
Now look here, Giles Coren: immersion in a great play well acted can send you out of the theatre feeling very different from...
Gavin Dixon
Saturday, 23 September 2017
Peter Phillips and the Tallis Scholars have nothing to prove when it comes to Renaissance choral music – few ensembles can...
Graham Rickson
Saturday, 23 September 2017
Antheil: A Jazz Symphony, Piano Concerto No. 1, Capital of the Word, Archipelago “Rhumba” Frank Dupree (piano), Deutsche...
Aleks Sierz
Saturday, 23 September 2017
Location, location, location. Jim thinks he lives in the “shittiest” small town in Scotland. It’s Mallaig, on the west coast...
David Nice
Saturday, 23 September 2017
Three “little greats,” as Opera North might put it, proved just the thing to cleanse the palate in a quiet place the...
Russ Coffey
Saturday, 23 September 2017
The last song on The Killers' new record is called "Have All the Songs Been Written?". The words refer to Brandon Flowers'...
David Nice
Friday, 22 September 2017
“Next he’ll be walking on water,” allegedly quipped a distinguished figure at the official opening of Simon Rattle’s new era...
Sarah Kent
Friday, 22 September 2017
Beautiful, shy, charming and talented, Jean-Michel Basquiat was a shining star who streaked across the New York skyline for...
Tom Birchenough
Friday, 22 September 2017
Truth is pursued in different ways in Alice Childress’s groundbreaking 1955 Trouble in Mind, and its play-within-a-play...
Saskia Baron
Thursday, 21 September 2017
Oh dear. I thought that this was going to be one of those exciting fantasy films that livened up TV on weekend afternoons in...
Jenny Gilbert
Thursday, 21 September 2017
Of the many good reasons for seeing Akram Khan’s 2016 remake of Giselle – his work is often a headline event, for one – the...
 

★★★★★ STRAVINSKY BALLETS, LSO, RATTLE, BARBICAN Perfect teamwork in miracles of song, rhythm and colour

★★★★ TROUBLE IN MIND, THE PRINT ROOM Alice Childress’s groundbreaking 1955 drama played with panache

★★★★ BASQUIAT: BOOM FOR REAL, BARBICAN Appraising the graffiti artist whose paintings fetch over $100 million at auction

★★★ BAD MOVE, ITV Grumpy country comedy is long on sitcom DNA, short on originality

★★★★ DVD/BLU-RAY: THE LEGEND OF THE HOLY DRINKER In vino veritas: Rutger Hauer surprises in Ermanno Olmi's adaptation of Joseph Roth's final fable

WE'RE STILL HERE Rachel Trezise on her NTW play about Port Talbot steelworkers

★★★★★ AKRAM KHAN'S GISELLE, SADLER'S WELLS English National Ballet gives us the wilis, and then some

disc of the day

CD: David Crosby - Sky Trails

Crosby and son jazz it up with superb results

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tv

The Child in Time, BBC One review - lost in translation

Ian McEwan's novel doesn't feel entirely comfortable in this TV dramatisation

Bad Move, ITV review - Jack Dee resettles in the middle of the road

Grumpy country comedy is long on sitcom DNA, short on originality

Cinema Through the Eye of Magnum, BBC Four review - moving pictures

French documentary about the agency's film work sheds light on James Dean and Marilyn Monroe

film

On Body and Soul review - terrible beauty, and beasts

Slaughterhouse love: this year's Berlinale Golden Bear winner tells a wintry tale

DVD/Blu-ray: Journey to the Centre of the Earth

More like journey to the dull heart of feeble '50s special effects

Borg/McEnroe review - Wimbledon face-off is entertaining if incomplete

Shia LaBeouf is ideally cast in first of several tennis films to come

new music

Reissue CDs Weekly: Ducks Deluxe

The pub rocker's albums resurface to raise questions about whether 1977 was the year of punk

CD: David Crosby - Sky Trails

Crosby and son jazz it up with superb results

classical

Classical CDs Weekly: Antheil, Barsanti, Handel, Laks

Fun sounds from a self-confessed bad boy, a snapshot of musical life in 18th century Scotland, and beguiling chamber works from an Auschwitz survivor

Reger Cello Suites, Richard Harwood, Malling Abbey review - Bach with a dash of acid

A revelation of solo-cello masterpieces resounds in a fascinating convent church

opera

Oedipe, LPO, Jurowski review - Enescu's masterpiece glorious and complete

The LPO's Principal Conductor probes a complex and unique idiom with total command

Senza Sangue/Bluebeard's Castle, Hackney Empire - uneven French-Hungarian mix

Odd casting undermines the power of Péter Eötvös's answer to Bartók's masterpiece

La Damnation de Faust, LSO, Rattle, Barbican review - infernal dynamite

Adrenaline levels still running high for the second instalment of #ThisisRattle

theatre

Wings, Young Vic review - Juliet Stevenson goes high and low
Arthur Kopit's poetic drama about post-stroke aphasia and facing up to death astounds
Ramona Tells Jim, Bush Theatre, review – kooky, teenage heartbreak
Heartwarming new play about young love is good fun, if a bit slender
Trouble in Mind, The Print Room review - Tanya Moodie is a treat to watch
Alice Childress’s groundbreaking 1955 drama played with panache

dance

Akram Khan's Giselle, Sadler's Wells review - the migrant crisis in a ballet thriller

English National Ballet gives us the wilis, and then some

La Bayadère, Mariinsky Ballet review - a parade of delights

Russians save the best till last in lavish display of showmanship and art

Contrasts, Mariinsky Ballet review - company shows off range of its powers

Ekaterina Kondaurova the star as Russians display heritage and contemporary works at Royal Opera House

comedy

Mae Martin, Soho Theatre review - life is a drug

Dry storytelling about an obsessional life

Edinburgh Festival and Fringe 2017 reviews round-up

theartsdesk recommends the shows to catch this August

Edinburgh Fringe 2017 reviews: Ingrid Oliver / Darren Harriott / Jayde Adams

An excellent mimic, a strong debut, and a dynamic entertainer

gaming

Destiny 2 review - a worthy follow-up to the biggest game of a generation

Bigger means better for this online sci-fi shooter

Uncharted: The Lost Legacy review - absolutely beautiful and still great fun to play

When the old dog looks this good, you don’t need new tricks

Agents of Mayhem review - digital déjà vu

Crazy action wrapped up in a repetitive formula

visual arts

Jasper Johns, Royal Academy review - a master of 50 shades

'Something resembling truth': the master mark-maker transforms the familiar into the exotic

Basquiat: Boom for Real, Barbican review - the myth explored

Appraising the graffiti artist whose paintings fetch over $100 million at auction

latest comments

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