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The fifth, and supposedly final, series depicting the adventures of the covert-action tough guys of Section 20 won't surprise anyone, but it won't disappoint its devotees either....
One man and his piano can occasionally fulfil a role more satisfying than the finest orchestra in full sail. The last of Daniel Barenboim's four-recital traversal of Schubert's...
A third series for Kay Mellor’s rags-to-riches series can herald few real surprises. We know, roughly speaking, what we’ll be getting: a cautionary tale – be careful what you wish...
How to respond to Mahler? That was the challenge set by the London Symphony Orchestra to Edward Rushton when they commissioned him to write an opener for this programme. Rushton’s...
As Britain stares down the barrel of another five years of austerity, it’s disappointing that so few of the country’s musicians have anything to say about the very bad times that...
Sticky Fingers is the Stones’ defining album, a record that preserves the band in all its ragged, outlaw rock'n'roll glory. It captured them, too, between worlds of their own...
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The designer maker on the future of furniture and working with Thomas Heatherwick
The British artist talks about a life inspired by traditional Japanese crafts
Drones, space capsules and set-building as fine art
Reissue with live tracks captures the Rolling Stones at their peak
Pop juggernaut retains her flair for the dramatic on third album
Barenboim and that piano plumb the heart of darkness in Schubert's farewell
Serviceable Mahler, but the violinist's Mendelssohn is sublime
The composer came first in the happiest concert so far of the revered pianist's series
Debussy's masterpiece finds a brilliant production that he would have approved
Our classical writers choose 12 of the best
Fresh revival with strong cast and dynamic conducting from Jakub Hrůša
The overexposed artist with pots, frocks and comforting clichés about Britain
Oscar-winning actor proves that he did learn something as a Cambridge art history student
Impostors and stolen identities explored in an installation inspired by the Commedia dell’Arte
Wonderfully funny evening with a comedian-ventriloquist at the top of her game
Playful show during which the comic builds his own set
Drag artist tells her charming and funny story